Monday, 26 October 2009

Modern Art Remixed at the Tate Liverpool - Week 3

DaDa and Surrealism

Dada Manifesto - New York, Paris, Barcelona etc

After World War 2

Young artists angry about the world, the war

Not made there mark yet

Spontaneous, chaotic

destroying systems involved with capitalism

The impressionists looked dated

Active demonstrations - noise concerts, violent, horrid

Big difference between rich and poor

Made to go and fight, seen death and destruction

reacting against this

no interest in pretty images

destruct anything to do with capitalism

DaDa - Yes Yes

Hobby Horse

Naivety

Hugo Ball

Tristan Tzara

Marcel Janco

Hans Richter

Jean Hans Arp

Sophie Taeuber Arp - DaDa Head, 1920 (destructing the bust)

Cabaret Voltaire - Puppetry, poetry, dancing etc

make the art as ugly as possible

Anti - Art, Aesthetics etc

Hans Arp - Collarge with Squares Arranged Accordingly to the Laws of Chance, 1916-17

Chance, Irony Games, Word Play, Manipulation, Loss of Meanings

Marcel Duchamp - LHOOQ, 1919

Picabia - Portrait of Cezanne, 1920 anti establishment, or normal art

Man Ray - Cadeau, 1921-63 everyday object made viscous and useless

Marcel Duchamp - Fountain, 1917

By product art as an art

Duchamp was a very talented painter which was less known, could paint anything needed a new way forward

fed up of art institutions choosing what art is and what can be displayed

Signature forms the art

Open exhibition - but the fountain was not aloud to be exhibited

R Mutt - Also stands for poverty

Readymades - put forward to symbolize something else

you pay for the name of the artist

artist began to choose what art is

even if he didn’t make it the change and signature made it art

very powerful at the time

questioning everything

marcel protested why it wasn't exhibited which was part of it

Duchamp - Bicycle Wheel, 1913

distributing everyday things in a new way

DaDa movement 1919

George Grosz - Toads of Property, 1920 more figurative

Ecle Homo Series, 1923

Explosive attacks to the establishment and capitalism

Capitalists - lust, sin, pollution, money

juxtaposition between rich and poor

Bourgeoisie

Photo montage, collage

Hanna Hock - Beautiful Girl, 1919-20

manipulated beings

Duchamp - The Bride Stripped Bare by her Bachelors, 1915-23

Bachelors on the bottom

mimicking something in your head

DaDa became norm and the artists began to become minor celebrities

the group started to dissolve

most challenging period of art - yet freedom began and art as an idea

DaDa had a rippling effect everywhere and on everything

Literature became fragmented

Ballet Russe - Parade Ballet was classed as high art

Andre Breton started 1924 Surrealism Excluded Reality

Artists in revolt against society

Freud important to surrealism, sexual desire drives everything, objects have gender and identity. symbolizing death repression a form of depression.

Hans Belmer - Plate 9 of Les Jeux de la Poupee (The Games of the Doll), 1949

Naivety, childhood next to a man on the bed horrid connotations

Change the way you think/see reality

Freud’s theory of the unconscious

negativity getting low and boring

positivity become to arrive

Jean Miro

Dali

Picasso

Hans Belmer had a theory that a lot of people were abused as kids - Chapman Bros

"beautiful as the chance meeting on a dissecting table of a sewing machine and an umbrella" quote by Isidore Ducasse

the sewing machine was female and the umbrella was male, Rape and prostitution

Max Ernst - Men Shall Know Nothing of this, 1923 (poem on the back)

dedicated to Andre Breton

Rene Magritte - The Reckless Sleeper

Things on you mind

Dali - Pushed out - Metamorphosis of Narcissus

his farther told him he was his brothers reincarnation

he represented women as rotten fruit and decaying things

he was frightened of women but desired them

The Lugubrious Game, 1929

Impeccable painting however strange the subject was

the surrealists didn’t like him becoming a celebrity and disowned him

Magritte

Man Ray - Lee Miller, Neck, 1930 (erect penis shape)

Meret Oppenheim - Fur Covered Cup and Saucer and Spoon, 1936

items of fetish, unaccessible yet they were everyday

Became glamourous and daring

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