Monday, 26 October 2009

The Body (Sculpture) (Object and Space)

Leonardo De Vinci - Vitruvian Man

Based on the correlations of ideal human proportions described by Ancient Roman Architect Vitruvius in Book 3 De Architectura.

The Angel of the North, (large scale, crucifix)

Michelangelo - David

Symbol of Republic of Florance concentration of getting ready for battle.

Both symbols of place. Power - Both highly financially backed.

PLINTH - Prestige, Perfection

Marc Quinn - Alison Lapper Pregnant - Plinth in Trafalger Square

Pedastooling, showing the world they have reason for being on the plinth.

Marc Wallinger - Christ on a Plinth - Trafalger Square

Nomally outlandish presentations. When the christ is the put into gallery spaces it has a different context.

Marina Abromavic

Uses her body as sculpture, the object, the subject. Very in your face on how to confront the body.

Sam Taylor Wood - Crying Men

Showing pure emotion, vulnerable side to men.

Womanhood

Women's power

Equality.


Venus of Willendorf - (11cm tall 24 - 22 BC)

Womanhood, no facial features or details, main focus on the body. Looks modern. Why was she represented fat when in them times this would not have been the case? Idealization of the female body.

Jenny Saville

Flesh/body as a revelation. Lucian Freud.

Rebecca Horn

Body Extensions

Kiki Smith - Hanging Woman

Lo Tech materials. Tried using durable materials which changed the context of the piece.

Marc Quinn - Kate Moss (gold)

Contempary, pushing how we see sculpture. Gold elevates the perception.

Cost = Power again


Janine Antoni - Lick and Lather = Chocolate and Soap

Bust, Pedastool similar affect to plinth, erotic. Busts are usually made on very powerful men.

Manipulating the bust


Marc Quinn - Blood bust

Self, high tech, materials are from and about artist. Cannibalistic, the fact that its human blood makes it worse. Detailed.

Magritte - Cloud face

Personalized by painting.

Gabriel Orozco - Black Kites - Checked Skull

Mexican aztec skulls/masks, celebration of the dead. Cultural, social, backgrounds.

Skeleton of a whale which he drew on.

Damien Hirst - Diamond Skull (£50 million) Cost = Power

196? Gilbert and George

Singing sculptures, performance, united together.

George Segal - Casts of life size everyday people in bandage. Quiet peaceful, personal.

Rodin - Burghers of Calais Edward III

Surrender the key of the city to save the city, most sculptures of that time are of success. Was going to be made on ground level so you could walk along side the men was then put on a plinth.

Jaume Plensa - House of Knowledge

Script, knowledge which makes up the body similar to how Da Vinci made up the Vitruvian Man.

Dream - St Helens

20m Tall, financial backing, technical yet personal, minors from the area had a say on what was created.

Seminar Ideas

Time Travel - Need to be contemporary?

Reference to older works

Ideas, imagination, creativeness

Casting link with drawing - craftsmanship, hard work

Tech make the final outcome

Voodoo doll intermacy

Materials -

Blood - cannibalistic, human not animal

Chocolate and soap

Yet still detailed

Status - Monuments? The past?

Sculpture inside or out?

Plinths - something of perfection - Antithesis could be a bigger statement.

Boyes - Talks to a dead rabbit, kyote

Chicago - Public Sculpture


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